Lectures, Screenings, Talks, Podiums, Interviews, Reviews
Chloé Galibert-Laîné discussed their latest video essay «I Would Like to Rage» with Ella Rocca and Jules As If at the Upcoming Filmmakers Festival in Lucerne.
They also served as member of the jury for the festival’s international competition, awarding the main prizes to Lou Cohen, Anaïs Bourgogne and Morgane Frund.… continue
On Friday May 26, 2023 at 21:15 the Experimental Film & Video Festival VIDEOEX hosts a special screening of Johannes Binotto› video essays. Johannes will show and discuss a selection from his series «Practices of Viewing» including the still unpublished last video of the series on endings.… continue
Project member Chloé Galibert-Laîné has been invited to present a 3 hour masterclass about their videographic work as part of the «Practices of archival» course at INA Sup in France.… continue
Videoessays sind die neueste Fortsetzung dessen, wovon Jean-Luc Godard in seinen «Histoire(s) du cinéma» geträumt hat: Die Filmgeschichte entdecken, indem man deren Bilder neu zusammensetzt.… continue
Chloé Galibert-Laîné was invited to present their latest video essay GeoMarkr, together with co-writer Guillaume Grandjean, at the conference «La Preuve par l’Image» at l’Institut National d’Histoire des Arts in Paris on December 9th, 2022.… continue
Chloé Galibert-Laîné was invited to give a masterclass as part of the online seminar of DocSP in Sao Paulo, Brazil.
Event organized with the support of the Institut Français du Brésil.… continue
The Casa do Cinema Manoel de Oliveira in Porto, Portugal has organized a two-days retrospective of 8 films and video essays by Chloé Galibert-Laîné. The screenings were followed by in-person conversations with the spectators, as well as a workshop at the Universidade Católica Portuguesa in Porto.… continue
Both Johannes Binotto and Oswald Iten were giving panel talks at «Videography: Art and Academia», an international video essay symposium about «Epistemological, Political and Pedagogical Potentials of Audiovisual Practices», November 2-4, 2022, organized by Maike Sarah Reinert, Evelyn Kreutzer, Anna-Sophie Philippi, and Kathleen Loock.… continue
Both Chloé Galibert-Laîné and Johannes Binotto were giving keynote lectures at the International Conference on Videographic Criticism at the University of Massachusetts Amherst, Sept. 22-23, 2022, organised by Barbara Zecchi and Daniel Pope.… continue
Chloé Galibert-Laîné’s PhD film Watching the Pain of Others will screen at the Avignon Festival in France, as part of a collaboration between the festival and the SACRe research lab, together with other screen-based and live performance works by other former candidates from the program.… continue
Project member Chloé Galibert-Laîné and video game scholar and critic Guillaume Grandjean screened and discussed their new co-authored video essay «GeoMarkr» with the CP3 research center at the University of Australia, on invitation by Dr.… continue
Chloé Galibert-Laîné presented her videographic research and desktop documentary practices in conversation with architecture students at the Malaquais school in Paris, by invitation of the Professor Soline Nivet.
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Project member Chloé Galibert-Laîné was invited to give a masterclass at the Toulouse national art school isdaT.… continue
The online magazine Filmexplorer launches a digital Gallery with several exhibitions of video essays – curated by project members and associates Chloé Galibert-Laîné, Kevin B. Lee and Johannes Binotto.
Proposition and Curation
After a long period where definitory questions have prevailed, and a recent period of inclusion of a plurality of forms of video-essay, the time is now ripe to let aside the attitude of surveying or mapping the variegated landscape of video essays, and to let emerge the style of the author.… continue
Das britische Filmmagazin «Sight and Sound» hat in seinen jährlichen Umfragen Johannes Binottos Serie Practices of Viewing zum besten Videoessay von 2021 erkoren.… continue
Apart from having the VideoEssay «Metaleptic Attack» in the competition section Bande apart, Johannes Binotto is also presenting a special screening of his «Practices of Viewing» series followed by a master Class at the Festival de cine de Las Palmas de Gran Canaria.… continue
Master Talk Editing im Kino Toni ZHdK 1.4.2022
Gast: Johannes Binotto, Kultur- und Medienwissenschaftler, Experimentalfilmemacher und Videoessayist
Was macht ein Schnitt? Wie fangen durch die Montage Bilder an, sich gegenseitig nicht nur fortzusetzen, sondern auch zu kommentieren und analysieren?… continue
Vorlesung von Johannes Binotto vom 31.3.2022 im Rahmen der Vorlesungsreihe «Ansätze der modernen Filmtheorie» von Prof. Dr. Volker Pantenburg, Filmwissenschaft Universität Zürich
Filme als Texte zu lesen bedeutet auch, sie als unabschliessbare Texturen zu entdecken: als ein Gewebe aus Bildern und Klängen, das sich immer wieder neu verändert.… continue
Coucou Magazin Nr. 104 (März 2022) / S. 16-21 ///
Ein Gespräch mit dem Winterthurer Kultur- und Medienwissenschaftler Johannes Binotto über die verschiedenen Möglichkeiten des Filme Sehens.
Interview & Bild: Sandra Biberstein
Sandra Biberstein (SB): Johannes Binotto, du beschäftigst dich seit seit Deiner Jugend mit Filmen – unterdessen auch einerseits in deiner Forschung aus kulturwissenschaftlicher, kulturgeschichtlicher und psychoanalytischer Perspektive, anderseits setzt du dich als Dozent an der Hochschule Luzern mit Film- und Medientheorien sowie mit verschiedenen Filmtechniken auseinander.… continue
Within the framework of a series of lectures for the GIBZ (Gewerblich-industrielles Bildungszentrum Zug) in a local cinema, Oswald Iten presented videographic examples of how contemporary narrative feature films create tension on the soundtrack.… continue
An online symposium on video essays is held 24th to 25th of February on Zoom including also a workshop by our research team member Johannes Binotto.
The whole event is open to the public.… continue
The best video essays of 2021 poll, hosted by the British Film Institute and the Sight and Sound magazine is out with video essays of our research group being at the top.… continue
The association WHITE FRAME (WF) is presenting an online exhibition of video essays by Johannes Binotto, curated by Chantal Molleur; including a new interview and the not yet officially published video essay «Metaleptic Attack».… continue
Oswald Iten has been invited to talk about «Fear + Sound» at the Institute of Advanced Study in the Humanities in Essen on November 23, 2021. As a presenter of film clips (both with original and experimentally de-familiarized soundtracks), he will moderate a discussion with the audience.… continue
Johannes Binotto’s experimental video essay METALEPTIC ATTACK what its premiere in the Swiss Competition at the Experimental Film & Video Festival Videoex from 1 – 10 October
2021. It also was awarded with a Special Mention by the jury.… continue
Diskussion über Videoessays und Videoessay-Forschung im Podcast «Dritte Klappe» der Filmuniversität Babelsberg, mit Dr. Johannes Binotto, Dr. Maike Sarah Reinerth und Anna-Sophie Philippi.
Unabgeschlossen, versuchhaft, sich vortastend: Video Essays sind kritische Landkarten, bei denen die Kamera zu Stift und Papier wird.… continue
Maksym Selezniov did this extensive discussion of the video essays by Johannes Binotto for the Russian film magazine kinoart. Check it out:
https://kinoart.ru/texts/sleduy-za-kotom-videoesse-yohannesa-binotto
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The video essay «Touching Sound» by Johannes Binotto will be shown out of competition at the Vienna Shorts Film Festival 2021 in the thematic section on sound in film curated by Doris Bauer and Christof Kurzmann.… continue
Dans le cadre de la 34e édition du Festival Images, découvrez notre seconde conversation en français (sous-titrée en anglais) avec Chloé Galibert-Laîné, réalisatrice du court-métrage “Forensickness”, projeté dans le programme «The subject Shines».… continue
The Massachussetts Multicultural Film Festival organized a solo screening of two of Chloé Galibert-Laîné’s recent video essays. She also took part in a public conversation about her work with researcher Barbara Zecchi and the host of the Video Essay Podcast, Will DiGravio.… continue
Chloé Galibert-Laîné was invited to screen her video essay Forensickness and discuss her videographic research practice in dialogue with researcher and curator Delphine Jeanneret, as part of the international conference “EDITING ARTS: Le montage au cinéma et dans les arts contemporains” organized at the HEAD in Geneva, Switzerland.… continue
Für den Newsletter der Hochschule Luzern hat Christian Schnellmann einen Artikel zum Videoessay publiziert. Der vollständige Artikel ist hier zu lesen:
Researcher’s Cut: Wie ein Video-Format Lehre und Forschung aufmischt
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Chloé Galibert-Laîné was invited to contribute to the panel conversation organized to launch the online platform reCLAIM, in which her collaborative video essay project Bottled Songs is exhibited. The event was hosted by the Rautenstrauch-Joest-Museum Cologne in Germany.… continue
Artikel von Helmut Dworschak, Der Landbote 6.2.2021, S. 7
Der Filmwissenschaftler und «Landbote»-Kolumnist Johannes Binotto leitet an der Hochschule Luzern ein Forschungsprojekt des Schweizerischen Nationalfonds über Video-Essays.… continue
La Casa Encendida (Madrid, Spain) 25.2.2021
Chloé Galibert-Laîné’s video essays Flânerie 2.0, Watching the Pain of Others and Forensickness will screen as part of the «Monográfico» screening series at La Casa Encendida in Madrid, Spain.… continue
02.02.2021
Chloé Galibert-Laîné is one of the four filmmakers taking part in the «Cinéma Hybride» panel organized at the Clermont-Ferrand International Short Film Festival, to discuss her video essays Watching the Pain of Others and Forensickness.… continue
University College Cork – National University of Ireland, 02.02.2021
Chloé Galibert-Laîné will give a guest lecture in Prof. Dr. Laura Rascaroli’s class at the Cork University in Ireland entitled «Split Screens: Starving for Connection».… continue
Chloé Galibert-Laîné’s ongoing project Bottled Songs (co-authored with Kevin B. Lee) will screen as part of the Bellwether Film Series at the Amherst Cinema (United States).
A recording of the live Q&A can be watched here: https://www.facebook.com/watch/live/?v=748235262795014&ref=watch_permalink … continue
Heinrich-Heine-University (Düsseldorf, Germany), 29.01.2021
Chloé Galibert-Laîné’s ongoing project Bottled Songs (co-authored with Kevin B. Lee) will be screened and discussed as part of the «Desktop | Essay» Symposium at the Heinrich-Heine-University in Düsseldorf, Germany.… continue
Chloé Galibert-Lainé in conversation with Giuseppe di Salvatore talking about her videographic research, how she makes her films, and the questions both theoretical and practical she faces in her work.… continue
Johannes Binottos video essay REPRODUCTION INTERDITE will have international premiere at Fisura, Experimental Cinema & Video International Film Festival
(Due to the Corona pandemic the festival will be held online, streamed live via Facebook)… continue
Chloé Galibert-Lainés FORENSICKNESS will be screened at the Solothurner Filmtage.
https://www.solothurnerfilmtage.ch/de/solothurn-2021/programm/forensickness
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Discussion on the video essay, its many forms, its networks, the personal journey of some of its proponents, and its future.
German Abstract: Der Videoessay hat sich zu einer wichtigen und facettenreichen Form der Filmkritik entwickelt.… continue
The best video essays of 2020 poll (hosted by the Sight&Sound Magazine and the British Film Institute) is out with several video essays by team members Chloé Galibert-Laîné, Johannes Binotto and Oswald Iten among the top picks.… continue
A discussion on France Culture with Chloé Galibert-Laîné on her video essays «Watching the Pain of Others» and «Forensickness», the format of the desktop documentary, and the question of spectatorship in the age of the internet:
https://www.franceculture.fr/emissions/la-grande-table-culture/refait-le-film-avec-chloe-galibert-laine… continue
Chloé Galibert-Lainé in conversation with Radim Procházka from Ji.hlava International Documentary Film Festival 2020 talking about her film FORENSICKNESS and the intersections between academic research and artistic practice.
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