The video essay «Touching Sound» by Johannes Binotto will be shown out of competition at the Vienna Shorts Film Festival 2021 in the thematic section on sound in film curated by Doris Bauer and Christof Kurzmann.… continue
The Massachussetts Multicultural Film Festival organized a solo screening of two of Chloé Galibert-Laîné’s recent video essays. She also took part in a public conversation about her work with researcher Barbara Zecchi and the host of the Video Essay Podcast, Will DiGravio.… continue
Chloé Galibert-Laîné was invited to screen her video essay Forensickness and discuss her videographic research practice in dialogue with researcher and curator Delphine Jeanneret, as part of the international conference “EDITING ARTS: Le montage au cinéma et dans les arts contemporains” organized at the HEAD in Geneva, Switzerland.… continue
Für den Newsletter der Hochschule Luzern hat Christian Schnellmann einen Artikel zum Videoessay publiziert. Der vollständige Artikel ist hier zu lesen:
Chloé Galibert-Laîné was invited to contribute to the panel conversation organized to launch the online platform reCLAIM, in which her collaborative video essay project Bottled Songs is exhibited. The event was hosted by the Rautenstrauch-Joest-Museum Cologne in Germany.… continue
Was machen die Bilder mit uns?
Artikel von Helmut Dworschak, Der Landbote 6.2.2021, S. 7
Der Filmwissenschaftler und «Landbote»-Kolumnist Johannes Binotto leitet an der Hochschule Luzern ein Forschungsprojekt des Schweizerischen Nationalfonds über Video-Essays.… continue
La Casa Encendida (Madrid, Spain) 25.2.2021
Chloé Galibert-Laîné’s video essays Flânerie 2.0, Watching the Pain of Others and Forensickness will screen as part of the «Monográfico» screening series at La Casa Encendida in Madrid, Spain.… continue
Chloé Galibert-Laîné is one of the four filmmakers taking part in the «Cinéma Hybride» panel organized at the Clermont-Ferrand International Short Film Festival, to discuss her video essays Watching the Pain of Others and Forensickness.… continue
University College Cork – National University of Ireland, 02.02.2021
Chloé Galibert-Laîné will give a guest lecture in Prof. Dr. Laura Rascaroli’s class at the Cork University in Ireland entitled «Split Screens: Starving for Connection».… continue
Chloé Galibert-Laîné’s ongoing project Bottled Songs (co-authored with Kevin B. Lee) will screen as part of the Bellwether Film Series at the Amherst Cinema (United States).
A recording of the live Q&A can be watched here: https://www.facebook.com/watch/live/?v=748235262795014&ref=watch_permalink … continue
Heinrich-Heine-University (Düsseldorf, Germany), 29.01.2021
Chloé Galibert-Laîné’s ongoing project Bottled Songs (co-authored with Kevin B. Lee) will be screened and discussed as part of the «Desktop | Essay» Symposium at the Heinrich-Heine-University in Düsseldorf, Germany.… continue
Solothurner Filmtage, 25.1.2021
Chloé Galibert-Lainé in conversation with Giuseppe di Salvatore talking about her videographic research, how she makes her films, and the questions both theoretical and practical she faces in her work.… continue
Johannes Binottos video essay REPRODUCTION INTERDITE will have international premiere at Fisura, Experimental Cinema & Video International Film Festival
(Due to the Corona pandemic the festival will be held online, streamed live via Facebook)… continue
Chloé Galibert-Lainés FORENSICKNESS will be screened at the Solothurner Filmtage.
Solothurner Filmtage 25.1.2021
Discussion on the video essay, its many forms, its networks, the personal journey of some of its proponents, and its future.
German Abstract: Der Videoessay hat sich zu einer wichtigen und facettenreichen Form der Filmkritik entwickelt.… continue
The best video essays of 2020 poll (hosted by the Sight&Sound Magazine and the British Film Institute) is out with several video essays by team members Chloé Galibert-Laîné, Johannes Binotto and Oswald Iten among the top picks.… continue
A discussion on France Culture with Chloé Galibert-Laîné on her video essays «Watching the Pain of Others» and «Forensickness», the format of the desktop documentary, and the question of spectatorship in the age of the internet: