Recordings from the Conference “Interactive Documentary: Laboratory & Experiment” are online now!

In the beginning of 2024 our research project organized the conference “Interactive Documentary: Laboratory & Experiment”, focusing on the laboratory character of interactive documentaries, in which different forms of knowledge emerge in different experimental arrangements. Recordings of most of the presentations are now available online. They can be accessed through the Conference Program.

Recordings from the Conference “Interactive Documentary: Laboratory & Experiment” are online now! Read More

GfM2023

Die Jahrestagung der Gesellschaft für Medienwissenschaften in Bonn widmete sich in diesem Jahr ganz dem Thema ‘Abhängigkeiten’. Innerhalb des Panels “Instabile Bildräume: Digitale Inter-Aktion und Gegenöffentlichkeit”, bei dem Florian Krautkrämer Chair war, hielten sowohl Tobias Conradi als auch Vanessa Zallot am 27.09.2023 Präsentationen zu ihren jeweiligen Forschungsprojekten. Tobias Conradis Präsentation unter dem Titel “Die Karte …

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#IFM2022 Virtual Conference: Full Program & Video Presentations

The #IFM2022 Virtual Conference Full Program & Registration (Free Admission) are now available:https://journals.library.ryerson.ca/index.php/InteractiveFilmMedia/program This year’s Conference reunites academics (faculty, researchers, and Ph.D. students) and practitioners (filmmakers, artists, VR and game designers, and media producers) to explore the definitions, terms, and practices to frame the conditions of interaction and interactivity in three strands: epistemology, listening, and ecomedia. Besides the …

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I-docs, Crisis and Multi-perspectival Thinking – Symposium

A fascinating day of presentations, posters and discussions on the theme of ‘I-docs, Crisis and Multi-perspectival Thinking.Virtual Symposium: Convened by Dr Ella Harris, Birkbeck, University of London and Dr Judith Aston, i-Docs, UWE Bristol. Taking place online on May 9th, 2022. As the field of i-docs (interactive and immersive documentary) has matured, it has become …

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