chloegalibert

Residency at Le C.L.O.S x FIFIB

Chloé Galibert-Laîné was selected as one of the six residents at Le C.L.O.S (residency organized by the Festival International du Film Indépendant de Bordeaux) to work on their postdoct film project «La Grande Vacance».… continue

Chloé Galibert-Laîné: I Would Like to Rage

From role playing games to animated GIFs, from reenacted performances to poetic writing, this video essay asks: what is an authentic expression of anger?

 

 

Chloé Galibert-Laîné’s latest video essay «I Would Like to Rage» will have its World Premiere at the Festival des Cinémas Différents et Expérimentaux de Paris in October 2023, and International Premiere at IDFA – International Documentary Film Festival Amsterdam 2023, in the «Signed» selection.… continue

Ways of Unseeing – Exhibition in Lund

Chloé Galibert-Laîné and Kevin B. Lee’s video essay project Bottled Songs 1-2 is currently presented in Lund Konsthall (Sweden) as part of the collective exhibition «Ways of Unseeing», curated by Hans Carlsson, alongside works by Harun Farocki, Cecilia Germain, Maria Jacobson, TrinhT.… continue

Masterclass: Cinema as/of Rage

 

Chloé Galibert-Laîné discussed their latest video essay «I Would Like to Rage» with Ella Rocca and Jules As If at the Upcoming Filmmakers Festival in Lucerne.

They also served as member of the jury for the festival’s international competition, awarding the main prizes to Lou Cohen, Anaïs Bourgogne and Morgane Frund.… continue

2023 Conference – Open Call

IN THE WORKS. Makings and Unmakings of the Video Essay

International conference at the Lucerne School of Art and Design, Switzerland

November 2-4, 2023

 

One of the first academic conferences devoted to videographic research was held at the Frankfurt Filmmuseum and Goethe University in Germany in 2013.… continue

Masterclass at INA

 

Project member Chloé Galibert-Laîné has been invited to present a 3 hour masterclass about their videographic work as part of the «Practices of archival» course at INA Sup in France.… continue

«GeoMarkr: the Gamification of Online Interfaces»

Chloé Galibert-Laîné was invited to present their latest video essay GeoMarkr, together with co-writer Guillaume Grandjean, at the conference «La Preuve par l’Image» at l’Institut National d’Histoire des Arts in Paris on December 9th, 2022.… continue

Chloé Galibert-Laîné Retrospective

 

The Casa do Cinema Manoel de Oliveira in Porto, Portugal has organized a two-days retrospective of 8 films and video essays by Chloé Galibert-Laîné. The screenings were followed by in-person conversations with the spectators, as well as a workshop at the Universidade Católica Portuguesa in Porto.… continue

Chloé Galibert-Laîné – Screening at Avignon Festival

Chloé Galibert-Laîné’s PhD film Watching the Pain of Others will screen at the Avignon Festival in France, as part of a collaboration between the festival and the SACRe research lab, together with other screen-based and live performance works by other former candidates from the program.… continue

Chloé Galibert-Laîné – Workshop at University of Bern

«How Does Your Internet Feel?»

Chloé Galibert-Laîné was invited to teach a desktop documentary workshop at the University of Bern – Anthropology department.

The exchanges with the students and their professor Laura Coppens were tremendously stimulating, leading to the production of five short videos and performances.… continue

Co-edited journal issue on post-cinema

 

A new issue of the peer-reviewed journal Images Secondes was published, co-edited by team member Chloé Galibert-Laîné with Gala Hernandez Lopez, entitled «Post-cinéma. Pratiques de recherche et de création».

It includes several videographic contributions:

03 | 2022 Post-cinéma, pratiques de recherche et de création

 

Abstract:

This issue of the French journal Images secondes wishes to interrogate the heuristic and critical potential of the notion of «post-cinema».… continue

Screening at the Massachussetts Multicultural Film Festival

The Massachussetts Multicultural Film Festival organized a solo screening of two of Chloé Galibert-Laîné’s recent video essays. She also took part in a public conversation about her work with researcher Barbara Zecchi and the host of the Video Essay Podcast, Will DiGravio.… continue

“Chloé Galibert-Laîné en conversation avec Delphine Jeanneret”

Chloé Galibert-Laîné was invited to screen her video essay Forensickness and discuss her videographic research practice in dialogue with researcher and curator Delphine Jeanneret, as part of the international conference “EDITING ARTS: Le montage au cinéma et dans les arts contemporains” organized at the HEAD in Geneva, Switzerland.… continue

«Resisting ISIS: Art against political violence»

Chloé Galibert-Laîné was invited to contribute to the panel conversation organized to launch the online platform reCLAIM, in which her collaborative video essay project Bottled Songs is exhibited. The event was hosted by the Rautenstrauch-Joest-Museum Cologne in Germany.… continue

«Monograph» Screening at La Casa Encendida

La Casa Encendida (Madrid, Spain) 25.2.2021

Chloé Galibert-Laîné’s video essays Flânerie 2.0, Watching the Pain of Others and Forensickness will screen as part of the «Monográfico» screening series at La Casa Encendida in Madrid, Spain.… continue

«Split Screens: Starving for Connection»

University College Cork – National University of Ireland, 02.02.2021

Chloé Galibert-Laîné will give a guest lecture in Prof. Dr. Laura Rascaroli’s class at the Cork University in Ireland entitled «Split Screens: Starving for Connection».… continue

«Desktop | Essay» Symposium at the Heinrich-Heine-University

Heinrich-Heine-University (Düsseldorf, Germany), 29.01.2021

Chloé Galibert-Laîné’s ongoing project Bottled Songs (co-authored with Kevin B. Lee) will be screened and discussed as part of the «Desktop | Essay» Symposium at the Heinrich-Heine-University in Düsseldorf, Germany.… continue

C. Galibert-Laîné: What Scholarly Video Essays Feel Like (2020)

in Tracy Cox-Stanton and Allison de Fren (ed.), «The Scholarly Video Essay», The Cine-Files, n°15, Fall 2020 [online].

Excerpt: As incidental as it may seem at first, I think the most critical feature of the spectatorial experience offered by a scholarly video essay is determined by its fixed pace and duration.… continue